Eminent Americans
Eminent Americans
Climate Therapy, Christ, and Jia Tolentino
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Climate Therapy, Christ, and Jia Tolentino

Kevin LaTorre and I talk about the former "it girl" of the literary scene, her New Yorker essay on climate despair and therapy, Kevin's Christian faith, and much more.
Cross-post from Eminent Americans
I recently spoke with Daniel Oppenheimer, writer of "Eminent Americans," on his podcast. We discussed the felt existential catastrophism of climate change, the writer Jia Tolentino, my faith in Christ, our duty to our neighbors, the functions of writing, psychedelics as divine experiences, and much more. This all sounds a bit like a laundry list, sorry. Summarizing our conversation briefly is just difficult -- listen to it for yourselves. Dan is a great writer and interviewer, courtesy in part of his essential curiosity about the minds of others, as a "happy secularist" to my Reformed-ish Christian understanding. There's nothing more valuable to thoughtful reading and conversation than curiosity like Dan's, honestly. -
Illustration by Shuhua Xiong, from The New Yorker.

My guest on this episode of the podcast is Kevin LaTorre, a poet and writer living with his family in North Carolina. His work has appeared in The Blotter, Echo Literary Magazine, Walter Magazine, Ad Fontes, and the Front Porch Republic. He writes about poetry, Christianity, and literature at

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I asked Kevin to pick one text, idea, person, encounter that he thought captured something about where things are today, and his choice was What to Do with Climate Emotions, by Jia Tolentino, in the New Yorker.

Kevin also suggested we have a number of other essays present in the background of our conversation about climate change, catastrophism, pro- and anti-natalism, Tolentino, environmentalism, Christianity, etc. His notes on the background reading:

  • "Is Abortion Sacred?" by Tolentino in TNY: This 2022 piece discusses the birth of children with a similar ecological pessimism as "Climate Emotions" (arguably to a stronger extent, and again in religious/Christian terms)

  • "Ha ha! Ha ha!" by Lauren Oyler in The London Review of Books: the premier takedown of Tolentino in polite literary circles - the piece is itself questionable and deeply rude but charges Tolentino as one of the "hysterical critics" who makes everything about her and her own "shoddy mode of [narcissistic] thinking" (I don't know if I fully agree, but the self-centeredness charge is interesting for discussing "Climate Emotions" and how Tolentino seemingly echoes her sources)

  • Your [i.e. my] piece on The New Yorker: the idea that The New Yorker must "artfully neutralize the cognitive dissonance of liberals" can help us describe Tolentino's development as the aspirational female writer of the 2010s (from Hairpin and Jezebel to TNY staff writer in 2016, fortuitous for her career but possibly at the cost of her teeth and devilish humor?)

  • "Is It OK to Have a Child?" by Meehan Crist in The London Review of Books: defines pretty well the intellectuals' ecological anti-natalism/pessimism towards birth that Tolentino very much flirts with

  • Ecological anti-natalism as a philosophy present in environmental activism: there's a long history of this pretty anti-human belief system, and its current iteration that very much simulates the Christian concept of original sin (again, something Tolentino seems to accord with given her evangelical background)

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Eminent Americans
Eminent Americans
Eminent Americans is a newsletter and occasional podcast about the writers and public intellectuals who either are key players in the American intellectual scene or who typify an important aspect of it. So people like Ta-Nehisi Coates, Wesley Yang, Elizabeth Bruenig, Ross Douthat, Nikole Hannah Jones, Jia Tolentino, Freddie Deboer, Rod Dreher, Ibram Kendi, Ezra Klein, Bari Weiss, the Red Scare podcast hosts, Andrew Sullivan, etc.
Although the newsletter will touch on the political and intellectual issues that concern these folks, the focus is less the topics than the people — their backstories, what drives them, how they’ve evolved, who cares the most about them, what role they play in the larger ecosystem, and what trends do they embody or influence.
In one sense, then, it’s a rather meta concept. It’s an intellectual (me) talking about other intellectuals in their roles as intellectuals, and occasionally doing in conversation with yet more intellectuals. From another angle, it’s simply an attempt to investigate and describe the contemporary American scene through and with the people who constitute it.
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Appears in episode
Daniel Oppenheimer
Kevin LaTorre